M. Raynal, A. Archipenko , Rome, 1923, no. 32 (another example illustrated).
E. Wiese, ‘Alexander Archipenko", in Junge Kunst , Leipzig, 1923, vol. XXXX, pl. XVI (ceramic version illustrated).
Exh. cat., Trends of the "Twenties in the School of Paris, exh. cat., New York, 1961, no. 1 (another example illustrated).
D. Karshan, Archipenko, The Sculpture and Graphic Art, Including a Print Catalogue Raisonné , Tübingen, 1974, p. 98 (another example illustrated).
D. Karshan, Archipenko, Sculpture, Drawings and Prints, 1908-1963 , Kentucky, 1985, p. 85, no. 38 (another example illustrated p. 93).
G.-W. Költzsch, ed., Alexander Archipenko Erbe Werke von 1908 bis 1963 aus dem testamentarischen Vermächtnis , vol. I, Saarbrücken, 1986, no. 45 (another example illustrated p. 105; titled "Deux femmes - Feminine Solitude").
H. Schmoll Eisenwerth & G.-W. Költzsch, eds., Skulptur und Plastik , exh. cat., Saarbrücken, 1989, p. 44 (another example illustrated; titled "Zwei weibliche Akte").
L. Karlin, 20th Century Master Watercolors, Drawings and Sculpture from the Nowinski Collection , exh. cat., New York, 1992, p. 12 (another example illustrated p. 13).
A. Barth, Alexander Archipenko plastisches Oeuvre , Frankfurt, 1997, no. 121, p. 242 (another example illustrated p. 243; titled "Two Women").
J. Leshko, Alexander Archipenko, Vision and Continuity, exh. cat., New York, 2005, no. 64, pp. 96, 99 & 250 (another example illustrated p. 98).
R. Melcher, Alexander Archipenko, Saarbrücken, 2008, no. 50, p. 214 (another example illustrated pl. 113).
Archipenko Sculpture Catalogue Raisonné, no. 4351 (illustrated; accessed online, September 2025).